 
Before I even heard a note off of Change In The Neon Light, comparisons like The Cure mixed with Interpol made me scoff. Yeah right! To begin with, 90% of the time, when I hear comparisons about a band, they are wrong. Most comparisons fall short of expectations, regardless of who is being named, but The Cure, Interpol? It just isn’t possible. Who is going to live up to that reputation? I almost didn’t want to listen to this album because I was dreading disappointment, but then I listened, and I got my answer: Veil Veil Vanish. They live up to that reputation and even hold their own. Had I heard this on the radio with no introduction, I would have thought that The Cure put out a new, less slit-your-wrists-y album. (Now, since most of The Cure’s discography was well before my time, the only Cure comparison I can go off of is Disintegration, which I grew up listening to.) KEEP READING →→

9:55pm, October 9th. In the Oxford O2 Academy, the atmosphere is electric, as excited fans surge towards the stage. It’s almost time for the headlining act of the Eastpak Antidote Tour, which is travelling across the UK this month featuring Ghost of a Thousand, Four Year Strong, Anti-Flag and, the real reason I’m there: Alexisonfire. After the fast paced, politically charged set of Pennsylvanian punk-rockers Anti-Flag, (which included helping audience members on-stage to sing and dance, bringing the drummer, Pat Theic and his kit down into the pit, and a circle pit which consumed most of the floor) everyone is definitely in the mood. Chants of ‘Alexis! Alexis! Alexis!’ echo around the venue, which, with a capacity of just over 1000, is packed from wall to wall. The stage becomes dark, and the crowd is turbulent as pink and green lights start to flash and music begins to play, marking the imminence of the band’s entrance.
KEEP READING →→
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