 
With members from bands as diverse as Between The Buried And Me, Fear Before, and Cradle Of Filth, you could be forgiven for treating Asleep Next To Science with some apprehension. Super groups have long been an excuse to sell records, as they can rely solely on the hype of the musicians involved, rather than the actual songs on the disc. In most cases, had the songs been released by less notable musicians, the album sales would have paled in comparison. While usually a supergroup is something I treat as a gimmick, there have been a few such groups that I have enjoyed, such as Roadrunner United, and Isles & Glaciers. However, Orbs have written a disc full of interesting, unique and quite amazing music, borrowing the talents from each of their band member’s respective bands, rather than riding on their success.
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 If it’s a band with the talent to soar from songs full of catchy hooks, powerful vocals, toe-tapping rhythms, dashes of scathing polemic wit and lyrical prowess to soft-spoken, beautiful ballads you’re after, San Diego’s Delta Spirit are the band for you. Their second full length studio album, History from Below was released at the start of June, and certainly does not disappoint.
I’ll admit to being a relative newcomer to their music; I was recently introduced to their previous album Ode to Sunshine (2008) and spent a good few days obsessing over it – tracks like “People C’mon” and “Trashcan” defining their sound for me – different, upbeat, vibrant, but I know this is a band I will be listening to for a long time. History from Below launches into brilliance with the more politically charged “911″ KEEP READING →→
 
Atlanta quartet Debutaunts recently emerged from the sweaty, claustrophobic venues of the underground rock scene triumphantly, with a record deal in their hands. Combining the distinct musical talent of all four members, Debutaunts brought forth a unique album, Why Can’t We Have Fun, that has since exploded the minds of music gurus everywhere. KEEP READING →→
 Atlanta’s Campaign has arrived onto the scene with an EP that, at first bite, attacks you with no preparation. No rising sounds, no gentle intros, no beguilement. Just a full on seizure of wrists and into the pit for a tumultuous ride. Track one of the EP is “Rock Bottom Summer”, a threatening powerhouse of an introductory that sets you up on an adrenaline rush. The ominous drum beat stands poised and ready for attack, provoking the listener to thrash along with this thunder-beat.
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 Seattle’s Minus the Bear are back with the follow up album to 2007’s Planet of Ice with Omni, a record that, despite its uber catchy melodies, I’m in two minds about. To put it totally bluntly: I just don’t get it.
I know this review will probably sound schizophrenic, but I can’t help it. I’m divided. I also know this is Positivexposure, and I’ll get to the positivity, I promise, but on the one hand, I have to be honest. With Omni, I feel that the band have morphed into a more generic direction – rather than taking the opportunity to refine their individuality and take a more unique step, Omni is kind of faceless – at one point I really began to doubt if I’d bought the right record. KEEP READING →→
 
If you’re a fan of Harvard, you should already know some things about Jesse Clasen. To name a few, he has an incredible voice and knows how to use it, he plays piano, and occasionally, he will play some horns. What Firewood immediately teaches us is that Jesse had a hidden talent up his sleeve. Sure, he played acoustic guitar on The Inevitable and I, but the guitar on Firewood is much more intricate and it draws you into the song immediately, catching your interest and allowing Clasen to do, well…all the other things he does really well. Don’t come here looking for the pounding drums, groovy bass lines, or dizzying guitars that can be found when listening to Harvard. Just sit back and introduce yourself to the truly one of a kind talent that is The Bear Romantic. KEEP READING →→

The opening to Stegosaur’s Adventure 7″ sounds out as a welcoming conversation starter, a casual greeting to you, the listener on the other side. Jerid Reed Morris, the man behind the vocals, speaks to you of picking the attention of record executives and as you feel part of the conversation, it’s surely hard to wonder how this foursome could evade the kingpin dream-makers of the recording industry.
From first impressions alone, Adventure is a charming creature. The wailing energy of “A Headache”, after the steady intro, chimes familiarly toward that of The Strokes’ Albert Hammond Jr.’s solo work. The bubbling beat makes for perfect body thrashing material. KEEP READING →→
 
Mountain Man start their unique debut album, Made the Harbor, by asking you to ‘follow, follow follow’ and indeed, the voices of Amelia Meath, Molly Sarle, and Alex Sauser-Monnig, like the three sirens of Greek mythology, seem to grab you by the hand and lure you into their ethereal, beautiful world; their songs seduce and enchant you.
When listening, there was nothing to do but lie in silence, to be active felt as if I was doing the music a great disservice, and by the third track, I was utterly enthralled and in love. Like waves, Made the Harbor washes over your mind and pulls you to its depths. KEEP READING →→
 
I’ve noticed a lot in recent times that there’s been an interest within many genres to bring back the lost sounds of a certain era and apply them in a new way. The sound, or at least interpretation, of psychedelic rock has only really found one or two embodiments to show its power in current music. MGMT is one of these bands, who took their already wonderful pop/synth/rock sound, and applied a layer of psych to it on their sophomore album Congratulations. The second band, which has far less exposure, is Tame Impala. KEEP READING →→
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positivexposure is a digital magazine that features music,
art, activism, and creativity- exposing what we like, not criticizing things we don’t. We believe that creativity is a community, not an industry. We look forward to continue building this from the ground up with you, not in spite of you.
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